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To be, or not to be, that is the question: Whether 'tis nobler in the mind to suffer The slings and arrows of outrageous fortune, Or to take arms against a sea of troubles And by opposing end them. To die—to sleep, No more; and by a sleep to say we end The heart-ache and the thousand natural shocks That flesh is heir to: 'tis a consummation
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To be, or not to be, that is the question: Whether 'tis nobler in the mind to suffer The slings and arrows of outrageous fortune, Or to take arms against a sea of troubles, And by opposing end.
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To be, or not to be: that is the question: Whether tis nobler in the mind to suffer The slings and arrows of outrageous fortune, Or to take arms against a sea of troubles, And by opposing end them? To die: to sleep; No more; and by a sleep to say we end The heart-ache and the thousand natural shocks That flesh is heir to, 'tis a consummation
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'To be or not to be, that is the question' is the most famous soliloquy in the works of Shakespeare - quite possibly the most famous soliloquy in literature. Read Hamlet's famous soliloquy below with a modern translation and full explanation of the meaning of 'To be or not to be'.
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This article is going to help you unlock Hamlet's famous "To be or not to be" soliloquy from Act 3 Scene 1. The speech happens in Act 3, Scene 1 of the play. It's fair to say that Hamlet is going through a lot at this point in the story. He is facing several obstacles: he is grieving the death of his father; he is questioning the hasty.
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By Dr Oliver Tearle (Loughborough University) 'To be, or not to be, that is the question': perhaps one of the most famous lines in all of English literature, but arguably also one of the most mysterious - and one of the most misread.
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"To be or not to be" is in fact, not the question. It is the wrong question. Claiming that a question is wrong may sound odd. Surely, answers can be wrong. Likewise, suppositions, views,.
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To be, or not to be: that is the question: Whether 'tis nobler in the mind to suffer The slings and arrows of outrageous fortune, Or to take arms against a sea of troubles, And by opposing end them? To die: to sleep; No more; and by a sleep to say we end The heart-ache and the thousand natural shocks That flesh is heir to, 'tis a consummation Devoutly to be wish'd.
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To be, or not to be, that is the question: Whether 'tis nobler in the mind to suffer The slings and arrows of outrageous fortune, Or to take arms against a sea of troubles And by opposing end.
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"To be or not to be" is one of the most famous lines in all of English literature. It marks the beginning of Hamlet's "to be or not to be" speech, which is a soliloquy. The speech and the line reflect some of the existential questions that Hamlet the play and Hamlet the character are interested in. What Is a Soliloquy?
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To be or not to be kendisi için; Bir akşam uyudu; Uyanmayıverdi. Aldılar, götürdüler. Yıkandı, namazı kılındı, gömüldü. Duyarlarsa öldüğünü alacaklılar Haklarını helâl ederler elbet. Alacağına gelince… Alacağı yoktu zaten rahmetlinin. III Tüfeğini deppoya koydular, Esvabını başkasına verdiler. Artık ne torbasında ekmek kırıntısı,
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The famous "To be or not to be" soliloquy comes from William Shakespeare's play Hamlet (written around 1601) and is spoken by the titular Prince Hamlet in Act 3, Scene 1. It is 35 lines long. Here is the full text: To be, or not to be, that is the question, Whether 'tis nobler in the mind to suffer The slings and arrows of outrageous fortune,
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Hamlet's soliloquy takes up to four minutes to perform. As far as historians can ascertain, the first Hamlet performance was in 1600 or 1601. The acting troupe was the King's Men, and the venue was, of course, the Globe. Hamlet, at 4,042 lines, is the longest Shakespearean play. Performances usually last 4-5 hours.
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To be, or not to be: that is the question: Whether 'tis nobler in the mind to suffer The slings and arrows of outrageous fortune, Or to take arms against a sea of troubles, And by opposing end them? To die: to sleep; No more; and by a sleep to say we end The heart-ache and the thousand natural shocks That flesh is heir to, 'tis a consummation
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Points to Ponder In his book Shakespearean Tragedy, A. C. Bradey notes that "The present position of the 'To be or not to be' soliloquy, and of the interview with Ophelia, appears to have been due to an after-thought of Shakespeare's; for in the First Quarto they precede, instead of following, the arrival of the players, and consequently the arrangement for the play-scene.
